The Arrival by Shaun Tan is a lengthy comic that tells an
entire story about a father emigrating to a new place without the use of words.
The graphic novel uses panels of small, medium and large sizes to take the
reader through the story by displaying actions and emotions deliberately in
each frame. The framing is done in a style closer to the thumbnails you might
see from filmmaking ideation rather than classic comic book/ graphic novel
style. Many pages feature full spreads of like illustrations that don’t change
too much from one to the next; such as the spread of similar small cloud frames
towards the beginning of the novel. The way Tan tells a story without using
words is by capturing his character’s emotions and whatever is happening to
them, frame- by – frame. By focusing on the happenings surrounding the
characters that are important to the story line, he is able to provide a
continuous visual story for the audience. What the audience does with what they
see is up to them; there can be a little room for interpretation when no one is
telling you exactly what you are seeing. Tan can influence it by focusing on
the emotions of the characters, hoping to relay those emotions to the readers
as well. With a novel like this, each frame so carefully and technically
detailed, it is hard for the reader not to spend a minute on each frame,
gauging what they are seeing and constructing the proper emotional response.
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